Shiva Ahmadi: Tangle

October 19 - December 14, 2024

Shoshana Wayne Gallery is pleased to present Shiva Ahmadi: Tangle, the artist’s debut solo exhibition in Los Angeles and with the gallery. The exhibition will be on view from October 19th through December 14th, 2024, with an opening reception on Saturday, October 19th, from 4-6pm.

Ahmadi masterfully uses her formal skills to invigorate challenging subject matter, blending free-flowing strokes with vibrant bursts of color to captivate viewers through unexpected contrasts—whether in sculpture, painting, or animation. Painting serves as her vehicle for truth-telling, where luminous colors and mystical figures intertwine with violent imagery to illuminate pressing global issues such as migration, war, and the brutal treatment of marginalized people. Tangle features her new works, which focus on female figures immersed in fantastical landscapes of land and water." Ahmadi's technical mastery of watercolor—a medium celebrated for its unpredictability—allows her to explore themes of covering and uncovering. By incorporating screenprints into her paintings, she adds temporal and physical layers, creating a dynamic dialogue between the real and the imagined. Through her inclusion of ruins or clues to a deeper story, Ahmadi encourages viewers to probe beneath the surface of the narratives we inherit, from ancient myths to childhood memories to the modern news cycle.

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Born in Tehran, Iran, Ahmadi grew up in the shadow of the Iranian Revolution (1979) and the Iran-Iraq War (1980–1988). The roles imposed on women in Iranian society, including the mandate to wear the hijab, were formative influences on her development as both a woman and an artist. Drawing from mythological figures such as Medusa and Artemis—who symbolize the enduring strength of women despite societal oppression—Ahmadi portrays women in her paintings in positions of physical struggle, contending with vicious animals, walking through fire, and being weighed down by the weight of their own hair, bodies, and surroundings. Her paintings examine the history of patriarchy's surveillance and control over women's bodies, from the mandatory hijab in her homeland to the ongoing struggle for reproductive rights in her adopted country, the United States.

In her Pressure Cooker series, Ahmadi explores the transformation of domestic objects into instruments of violence. Traditionally seen as a symbol of nourishment and care, the pressure cooker has been repurposed in terrorist attacks as a bomb, recontextualizing it as a tool of brutality. Her commentary on women's autonomy extends into this series, where intricate intaglio hand-etching celebrates the domestic role of this everyday object. By aesthetically enhancing the pressure cooker, she invites viewers to confront the unsettling juxtaposition of war and violence against the mundane comfort of its domestic function.

Ahmadi's latest animation, Marooned, delves into the destabilizing effects of politics and war on ordinary people, with a particular focus on the struggles of immigrants and refugees. Composed of 5,172 hand-painted frames, the animation tells the story of people working tirelessly to build a pathway of large rocks leading to a stranded oil tanker in the ocean. As they near completion, ominous figures emerge and seize the tanker, leaving them with nothing.

Ahmadi has exhibited her work nationally and internationally, including solo exhibitions at Manetti Shrem Museum in CA (2024), The Rubin Museum in New York City (2021), the Asian Art Museum in San Francisco, CA (2017), the Asia Society Museum in New York City (2014), and the College of Wooster Art Museum in Wooster, OH (2012). In addition to holding regular solo exhibitions at galleries in NYC, LA, London and San Francisco, her works have been included in many curated museum group exhibitions, both nationally and internationally. Notable shows include the "Rising Sun" at Pennsylvania Academy of Fine Arts, (2023) "Being and Belonging" at the Ontario Museum of Arts in Toronto, Canada (2023) “Epic Iran” in  Victoria and Albert Museum, London, UK (2023); “A Boundless Drop in A Boundless Ocean” Orlando Museum of Art in Orlando, Florida (2021), Catastrophe and the Power of Art”, Mori Art Museum, Tokyo, Japan (2019), “Revolution Generations”, Arab Museum of Modern Art, Doha, Qatar (2019) among others.

Ahmadi’s work is part of permanent collection of the Metropolitan Museum of Art; the Dallas Museum of Art; The Museum of Contemporary Art in Los Angeles, the San Jose Museum of Arts; the Crocker Art Museum; the Asian Art Museum in San Francisco; the Detroit Institute of Arts; the Asia Society Museum in New York; the Manetti Shrem Museum in California; the DePaul Art Museum in Chicago; the Grey Art Museum in New York; the Herbert F. Johnson Museum of Art at Cornell University; The Morgan Library and Museum in New York; the Farjam Collection in Dubai; the TDIC Corporate Collection in Abu Dhabi; and the private collection of Sheikh Mohammed Bin Zayed Al Nahyan, Crown Prince of Abu Dhabi.