News
SHIRLEY TSE / Artweek.LA / "Tse, Tse on Top"
“Shirley Tse’s recent show Vital Organs and Other Stories at Shoshanna Wayne Gallery is a delightfully refreshing orgy of eclectic materials that sparkle in the viewer’s eyes like a cleanly cut diamond. Adding a series of new materials to compliment her already prolific exploration of plastics, Tse courageously explores the readymade…”
ELAINE REICHEK / Artinfo / "Discovering Elaine Reichek's Sharp Conceptual Embroidery at the Whitney Biennial and Nicole Klagsbrun"
ELAINE REICHEK / New York Times / "Biennial Tweaks Its Boundaries"
“More old-fashioned still are examples of the textile-based artist Elaine Reichek’s embroidery on linen, inspired by mythological motifs.”
KATHY BUTTERLY / The Boston Globe / ‘Figuring Color’ exhibit shows pigments of their imaginations
“Figuring Color,“ the show these works and 26 others by Butterly appear in, is terrific. Organized by the ICA’s Jenelle Porter, it features four artists: two women, two men, three of them in their 40s or 50s. (The fourth, Félix González-Torres, died in 1996 at 38.)
Special Event: 'One Hour/One Painting: Izhar Patkin' with Peter Clothier
Wednesday, February 8 / 6PM
at Shoshana Wayne Gallery
“One Hour/One Painting” invites small groups of participants to sit with a single art work for a full hour. Applying the principles of meditation and contemplation, its intention is to encourage the slow-viewing of art for deeper and more gratifying insight.
PETER CLOTHIER’s most recent publication is MIND WORK (www.paramipress.com). His blog, “The Buddha Diaries” (www.thebuddhadiaries.com) has a world-wide readership. “One Hour/One Painting” was first offered 15 years ago, and has proved a challenging attraction for those who seek a more profound experience of art.
“ONE HOUR/ONE PAINTING: IZHAR PATKIN” WILL BE OFFERED ONCE ONLY. PARTICIPATION IS LIMITED TO 20 PEOPLE. PLEASE REGISTER EARLY WITH THE GALLERY TO ENSURE YOUR PLACE.
Attendance fee: $25 per person, to be mailed to the gallery in advance to guarantee your place. As an added attraction, Peter will be signing copies of Mind Work after the event.
Contact:
To RSVP or for other inquiries, please contact Jacqueline at mail@shoshanawayne.com or (310) 453.7535.
KATHY BUTTERLY / The Huffington Post / 'Figuring Color' Exhibition Puts Color in the Spotlight
SWG 2012 News
ARLENE SHECHET:
Featured on the cover of Art in America
January 2012 Issue
“Buckle and Flow” by Fay Hirsch
BEVERLY SEMMES:
“Starcraft”
Knoxville Museum of Art / Knoxville, TN
June 8 - September 9
ELAINE REICHEK:
76th Whitney Biennial 2012
Whitney Museum of Art / New York, NY
March 1 - May 27
“The Imminence of Poetics”
30th Sao Paolo Biennial / Sao Paolo, Brazil
September 8 - December 9
KATHY BUTTERLY:
“Figuring Color”
The Institute of Contemporary Art / Boston, MA
February 17 - May 20
MOUNIR FATMI:
“Machines - Les formes du mouvement”
Manif d'art 6: Quebec Bienniale / Quebec, Canada
May 3 - June 3
YVONNE VENEGAS:
“Photography in Mexico”
Museum of Modern Art / San Francisco, CA
March 10 - July 18
YUKEN TERUYA:
“Journey to the West”
Lalit Kala Akedemi (Basement Gallery 1&2) / New Delhi, India
Organized by the Japan Foundation
January 21 - February 19
“paperless”
Southeastern Center for Contemporary Art / Winston-Salem, NC
April 26 - September 16
ZADOK BEN-DAVID & YUKEN TERUYA:
“Do Not Destroy: Trees, Art and Jewish Thought”
Contemporary Jewish Museum / San Francisco, CA
February 16 - May 28
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College Exhibitions:
PHILIP ARGENT
“Persistence”
Atkinson Gallery, Santa Barbara City College / Santa Barbara, CA
January 23 - February 16
RACHEL LACHOWICZ
“Daylight Saving Time: CGU Faculty/Staff Exhibition”
CGU East & Peggy Phelps Galleries / Claremont, CA
January 9 - 27
Film:
MOUNIR FATMI
“Signals: Power Cute Middle East”
International Film Festival / Rotterdam, Pays-Bas
January 25 - February 5
TONY ORRICO / New York Times November 2011
‘In “Canyon” Mr. Orrico will appear in a disguise of sorts, creating the visual design from inside a white box as it — or he — rolls across the stage on wheels as the others dance. He sees it as confined endurance drawing-taping; he constructs lines using masking tape.’
By GIA KOURLAS
TONY ORRICO / New York Times November 2011
“Navigating Through Time and Space”