First thing that pulled me into Shiva Ahmadi’s Tangle exhibition were the pressure cookers. It took me a moment to recognize them: from a distance, they appeared as intricate decorative objects and archaeological relics simultaneously. While the vintage pressure cookers evoked associations of domestic warmth and memories of my grandma’s kitchen, their surfaces etched with Arabic calligraphy and floral ornamentation recall artifacts from a Persian or Arabic cultural heritage museum. The patience and meticulous craft of such engraving parallels the labor of generations of women who spent countless hours in the kitchen crafting their family’s meals.